Eyes in the back of my head
Just before Christmas, Tilly (my spaniel) and I went to the Dordogne and back in our campervan. I made a video about it, which, while it may be of interest only to travel vlog and 'van life' enthusiasts, does have a bit of novelty value, because I filmed it on a spherical (360-degree) camera.
This means that after you've watched it, you can go back and watch it again from a completely different angle and see what was happening behind you!
I'll put the link here, rather than embedding it, because this is something you want to watch on the YouTube site. Or, better still, in the YouTube app on your tablet, or phone, or VR headset...
If I had had more time, I would have made it shorter :-)
This was really just an experiment for me, and I learned a great deal about the challenges and opportunities of filming and editing this particular medium, which I may write about in due course.
Comments
I edited it in Final Cut Pro, and Adobe Premiere will also cope with it. The files are big (this was a 36GB upload), but it all works fine, and yes, you can change the orientation in editing: the camera often wasn't 'facing' me, or even upright.
There are challenges though: especially to do with directing people's attention towards or away from something. You'll notice that there are lots of 'ums' and 'ahs' in this, partly because I was just ad-libbing all the time, but also because you can't simply edit out chunks of audio when showing people an image of a church, because they might have turned around and me looking at you.
And should you assume people are just sitting back and watching, in which case they might like you to rotate the view when you walk around them, or are they actively exploring, in which case turning them around might be disorienting.
Audio is also tricky, because you really want full surround spatial audio for this if you're watching with headphones, and though I've recorded the footage that way, encoding it correctly for playback on youtube and other viewers is not trivial, so I haven't bothered here.
Still a fun experiment, though, and I've uploaded a few stills too:
https://theta360.com/users/318054
It's intriguing taking photos when you don't actually have to point the camera. It also tends to make almost everything a selfie!
Q
Thanks, Jonathan!
Yes, it would be interesting to try to design a system that would rotate the viewer if you were being 'passive' and leave you alone if you were being 'active'. I also think it would be good to reset the viewpoint from time to time, especially when there's a cut - you can end up unknowingly looking away from the action, especially if you don't have a visible narrator. But that kind of metadata isn't included in the streams at present.
One thing that can help is surround sound, or even stereo, if it's done well. As mentioned above, I haven't bothered here, but proper spatial sound can also give you a clue that the interesting stuff is happening behind you and to the left.
re vehicles: I think a VW van plus an electric car covers pretty much all needs :-)
Hi Andy -
Thanks for the kind words! This is a Ricoh Theta V, which is about £350, though I do also have the optional enhanced microphone, which is another £250 or so, though I'm not making very good use of that yet!
The other bits were just standard camera stuff: suction mounts, clamps, selfie sticks etc which I happened to have from my other photography, but nothing very expensive.
Hi Rob - many thanks - these are all very useful insights! I've watched some of it in a VR headset, but it was only a kind of upmarket Google Cardboard, so you immediately halve the resolution of your phone screen. But I do still find it a rather compelling way to watch.
There are interesting questions about exactly how you handle movement and acceleration: the process I use for rendering the video makes use of the accelerometer in the camera, so 'up' is always roughly 'up' regardless of the orientation of the camera. But if you're in an accelerating or decelerating vehicle, then gravity will appear to tilt, and the video will do so as well. I don't know whether that makes for a more- or less-natural feel when you're watching it, but I did see some video somewhere from a guy who had modified the metadata to stop it happening when he was recording races in his rally car...
Spatial audio can be a great benefit to helping you locate the speaker etc, and I haven't put any effort into it here. The original recordings are four-track mono, but the camera wasn't always oriented so that they were pointing in a useful direction while recording, so in the end I decided that most people probably wouldn't be using headphones, and just concentrated on trying to make my voice audible over the weather etc!
Many thanks for your comments!